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    冰刀 Il coltello di ghiaccio (1972)

    最近更新: 2025-06-27 HD中字
    • 主演:卡罗尔·贝克 / 艾伦·斯科特
    • 导演:翁贝托·伦齐
    • 编剧:
    • 分类:恐怖片
    • 地区:其他
    • 年份:1972
    • 更新:06.27
    • TAG:悬疑,犯罪
    • 别名:Knife of Ice@@@Silent Horror
    • 片长/单集:91分钟
    • 豆瓣评分 6.1 (117票)
    • IMDB评分 6.1 (1,448票)
    • TMDB评分 6.04 (热度:2.77)
    • 简介:看片狂人(whereiskpkuang.com)为您奉上其它电影《冰刀》的免费在线观看,《冰刀》是由导演:翁贝托·伦齐执导,由卡罗尔·贝克,艾伦·斯科特等领衔主演,本片(剧)于1972上映,对白语言为其它,最后祝您观影愉快,本页面也会及时添加或更新本片(剧)的影评信息及最新播放源。以下是剧情简介:
        This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained ...... 完整简介请见下方

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    不卖肉,全靠悬念情节取胜,铅黄经典电影《冰刀》

    作者:爱伦坡小酒馆

      This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

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