周末狂欢 Human Traffic (1999)

影片中的狂欢镜头给人烦躁，暴乱的气息，产生令人无从下手，无心思考，随波逐流的沮丧心态，揭示出了青年人哀弱空虚的精神体质．

莫夫用遥控器控制家庭成员对白的那一段超现实主义色彩的荒诞段落，以及影片最后一句话道出了影片的本质＂就像比尔．海克斯说的，这是个疯狂的世界，但我成为其中的一员，我很自豪．＂面对脆弱的精神的无力抗拒的社会，现代社会年轻人不得不对自己施加最强力的精神麻醉，并以此为荣．狂欢，是一种宣泄，是一种麻醉，某种意义上也是一种对抗－－最消极的对抗．

１９６８年前后的年轻人，还是战斗精神，还有胜利的憧憬，而当今的年轻人已经分明看到了暗淡的前途．除了向社会，向曾经痛狠曾经抗拒的东西投降之外已毫无出路．于是他们除了狂欢之外还能有什么，导演表达的是一种绝望．我狂欢，我疯狂，我绝望，所以我自豪，在这样的逻辑背后是一种无力的悲哀．

HUMAN TRAFFIC
****

Starring John Simm, Lorraine Pilkington. Written and directed by Justin Kerrigan.

BY JASON ANDERSON

The first thing you should know is that Justin Kerrigan's Human Traffic is the only feature to authentically capture the euphoria and camaraderie of British rave culture. Finally, the raving is no mere background for a crap youth film or crime thriller, but the whole point of the exercise. And Human Traffic has the right tunes (house, techno and drum 'n' bass tracks, plus classics by Primal Scream and Orbital), the right chemicals (ecstasy, pot, coke and lager) and the right feel, from the time Jip (John Simm) and his friends in Cardiff, Wales, come up on Friday night to when they land softly on Sunday afternoon.

It hardly matters that Human Traffic doesn't have much of a plot. "There's very little story," agrees Kerrigan while in town recently. "There's only …